Recent Work
Light allows for intimacy and delicacy, intricacy of texture or structure requiring discretion or sensitive consideration for perception.
-- Alex Moore
![]() Cross That River southwest tourAllan Harris & company | ![]() Ominous MenJennifer Varbalow-scenic design; Kia Rogers-lighting design; Lisa Renee Jordan-costume design; Jan Hartley-projection design; Alex Moore-technical director, design supervision |
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![]() Exhibit #18read by Morena Baccarin actor + ambassador, international rescue committee | ![]() Late Night: featuring Mindy Kalin, Emma Thompson and John LithgowAlex Moore-venue technical director, lighting technician, board programer |
![]() Whitney Houston: The Last InterviewGeorge Faison, Emerald Gan, Alex Moore-projection design | ![]() Dietrich Rides AgainOliver Conant-scenic design; Derek Nye Lockwood-costume design; Madeline Jaye-choreography & movement; Al Foote III-theatrical photography |
![]() The Perry's MissionPatrice Davidson-set design; Ali Turns-costume design; Jonathan Slaff-photography. The Negro Ensemble Company Inc. celebrates it's 50th anniversary | ![]() Forbidden ColorsPatrice Davidson-scenic design; Jim Petty-sound design; Takaaki Ando-projection design |
![]() Paco Pena's FlamencuraJeremy Toth-photography | ![]() Comida de Puta (F%&king Lousy Food)Jan Hartley-projection design; Justin Swader and Christopher Swader-scenic design; Lisa Renee Jordan-costume and mask design |
![]() Temple of The SoulsLorca Peress-scenic design; Marla Speer-costume & mask design | ![]() JULESZach Serafin-set design; Marla Speer-costume design & photography |
![]() DHRAMA: The Remarkable Dialogue...Francesca Altério & Amanda Nina-scenic design. |